PLZZ HELPP!!!!

Is the fat lady in the elevator real or imaginary? Explain why you think the way you do and use evidence from the text to support your ideas/claims.

The story is below!

Answer:

In the story "The Elevator" I believe that "the fat lady" that kept appearing in the elevator was real. According to the text, when the fat lady first appeared, Martin could very well describe her, "She wore a threadbare green coat that ballooned around her; her ankles bulged above dirty sneakers... Her features seemed very small, squashed together by the loose fleshy mounds of her cheeks. She had no chin, only a great swollen mass of neck, barely contained by the collar of her coat. Her sparse red hair was pinned in the back by a plastic barrette. And her blue eyes, though tiny, were sharp and penetrating, boring into Martin's fаce." Second, in the story, Martin could surely feel her presence and describe her. Martin could feel her in the elevator when he had to squeeze himself against a corner to make room for her. "She was so big that she filled the cubicle; her coat brushed against him, and he had to squeeze into the corner to make room for her-there certainly wouldn't have been room for another passenger." When he got off the elevator, "He didn't care what she thought. He ran past her, outside into the fresh air, and then he ran almost all the way to school. He had never felt such relief in his life." On the second time she got on the elevator, the events that occurred could prove she was real -"But there she was, massively real. "Going up!" he said, his voice a humiliating squeak She nodded, her flesh quivering, and stepped on. The door slammed. He watched her pudgy hand move toward the buttons." When she suggested going to level 18, she might have done this unpurpose to find out where Martin lived, and, when Martin said "Going up!", the story describes her response as a nod.

In conclusion, The Fat Lady conclusively is real, because Martins senses about her are notably real.

Note:

I almost felt inclined to say she is Imaginary, but I couldn't find any evidence. I hope this helps!

-kiniwih426

The book does not establish conclusively whether the big lady in the elevator is genuine or fictitious. The tale, however, provides room for interpretation, and various readers may reach different conclusions depending on the data presented.

The overweight lady is detailed in great detail, including her physical appearance, attire, and even facial expressions. This amount of detail shows that she is a real person that the protagonist meets.

Interaction: The protagonist interacts with the fat lady directly. She looks at him, and he looks back, uncomfortable and stuck in the elevator with her.

genuine Reactions: The protagonist's reactions to the appearance of the fat lady, as well as his continued thoughts about her throughout the day, reflect a genuine reaction to encountering a stranger who makes him uncomfortable.

To learn more about real or imaginary link is here

brainly.com/question/29438706

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100 points, I need an essay written with a proper Introduction, thesis statement, three body paragraphs, and a conclusion. Whos up for the challenge?

WRITE a literary analysis discussing how the author’s use of metaphors, allusion, or symbolism reflect the choices people make.

Gatsby’s house was still empty when I left — the grass on his lawn had grown as long as mine. One of the taxi drivers in the village never took a fare past the entrance gate without stopping for a minute and pointing inside; perhaps it was he who drove Daisy and Gatsby over to East Egg the night of the accident, and perhaps he had made a story about it all his own.
5 I didn’t want to hear it and I avoided him when I got off the train. I spent my Saturday nights in New York because those gleaming, dazzling parties of his were with me so vividly that I could still hear the music and the laughter, faint and incessant, from his garden, and the cars going up and down his drive. One night I did hear a material car there, and saw its lights stop at his front steps. But I didn’t investigate.
10 Probably it was some final guest who had been away at the ends of the earth and didn’t know that the party was over. On the last night, with my trunk packed and my car sold to the grocer, I went over and looked at that huge incoherent failure of a house once more. On the white steps an obscene word, scrawled by some boy with a piece of brick, stood out clearly in the moonlight and I erased it, drawing my shoe raspingly along the stone. Then I wandered down to the beach and sprawled out on the sand.
15 Most of the big shore places were closed now and there were hardly any lights except the shadowy, moving glow of a ferryboat across the Sound. And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors’ eyes — a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory 20 chanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.
And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream 25 must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.
Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter — to-morrow we will run faster, stretch out our arms farther. . . . And one fine morning ——
30 So we beat on, boats against the current, borne back ceaselessly into the past.

Someone plz help me :(

You should spend about 20 minutes on this task.
The bar chart shows the percentage of adults who were overweight or obese (too fat or much too fat) in one country from 1965 to 2015.
The pie chart shows the proportion of adults who were overweight, obese or severely obese in 2015.
Summarize the information by selecting and reporting the main features, and make comparisons where relevant.

please anyone who know…….

Sentence Scramble

Directions: The sentences below are jumbled. Reorganize them into the
correct order to reveal the history of Flamin' Hot Cheetos.

Richard took those Cheetos home and topped them with chili powder. Soon afterwards, he pitched his idea for a spícier
version of Cheetos to company executives.

Hot Cheetos were created by a janitor, Richard Montanez,
who had been working in the Frito-Lay plant in California
since 1976.

Flamin' Hot Cheetos are one of the most popular snacks
among students today, but do you know the history of these
tasty chips?

His idea was accepted, and he is now in charge of the
Frito-Lay Hispanic marketing team.

One day, a machine at the factory malfunctioned and some Cheetos were not dusted with the famous orange powder.

Lance Kenniston felt the cold realization of failure as he came out of the building into the sharp chill of the Martian night. He stood for a moment, his lean, drawn face haggard in the light of the two hurtling moons.

He looked hopelessly across the dark spaceport. It was a large one, for this ancient town of Syrtis was the main port of Mars. The forked light of the flying moons showed many ships docked on the tarmac—a big liner, several freighters, a small, shining cruiser and other small craft. And for lack of one of those ships, his hopes were ruined!

A squat, brawny figure in shapeless space-jacket came to Kenniston's side. It was Holk Or, the Jovian who had been waiting for him.

"What luck?" asked the Jovian in a rumbling whisper.

"It's hopeless," Kenniston answered heavily. "There isn't a small cruiser to be had at any price. The meteor-miners buy up all small ships here."

"The devil!" muttered Holk Or, dismayed. "What are we going to do? Go on to Earth and get a cruiser there?"

"We can't do that," Kenniston answered. "You know we've got to get back to that asteroid within two weeks. We've got to get a ship here."

Desperation made Kenniston's voice taut. His lean, hard face was bleak with knowledge of disastrous failure.

The big Jovian scratched his head. In the shifting moonlight his battered green face expressed ignorant perplexity as he stared across the busy spaceport.

"That shiny little cruiser there would be just the thing," Holk Or muttered, looking at the gleaming, torpedo-shaped craft nearby. "It would hold all the stuff we've got to take; and with robot controls we two could run it."

"We haven't a chance to get that craft," Kenniston told him. "I found out that it's under charter to a bunch of rich Earth youngsters who came out here in it for a pleasure cruise. A girl named Loring, heiress to Loring Radium, is the head of the party."

The Jovian swore. "Just the ship we need, and a lot of spoiled kids are using it for thrill-hunting!"

Kenniston had an idea. "It might be," he said slowly, "that they're tired of the cruise by this time and would sell us the craft. I think I'll go up to the Terra Hotel and see this Loring girl."

"Sure, let's try it anyway," Holk Or agreed.

With the Jovian clumping along beside him, Kenniston made his way from the spaceport across the ancient Martian city.

Read the following line from the text:

"We can't do that," Kenniston answered. "You know we've got to get back to that asteroid within two weeks. We've got to get a ship here."

What can be inferred about Kenniston from this line?

A. He has already been to the asteroid.
B. He has not already been on an asteroid.
C. Holk Or is his only friend.
D. Holk Or is not very helpful in these matters.

your friend has informed you that his dad has decided not to look after him in school anymore. write to your friend's dad giving him at least 3 reasons why he should change his mind

Muriel started with the same recipe as Kelly used to make her fruit salad. Then Muriel added 1 cup of cherries and 1 cup of bananas, She put 2 cups of fruit salad into each bowl. How many bowls of fruit salad did Muriel make?

Can somebody help me

The Cloud of One’s Life Worksheet

Nick is falsely accused of being what profession?

Drag each label to the correct location on the chart.
Identify the approach of each passage.
- has a scientific approach
- is formal
- discusses history
- discusses product engineering

Passage 1

Our Amazing Solar System
by NASA and STScI (adapted excerpt)

Very little was known about Neptune and its atmosphere until Voyager 2 arrived at the planet in 1989. Voyager revealed a banded cloud structure and a storm that was called the Great Dark Spot. Neptune's axis is tilted similar to Earth's. Neptune therefore exhibits seasonal changes. However, the seasons on Neptune last for decades, not months as on Earth. In fact, Neptune has only completed one orbit of the Sun since its discovery in 1843. It is remarkable that Neptune exhibits any evidence of seasonal change at all, given that the Sun, as viewed from the planet, is 900 times dimmer than it is from Earth. Still, Hubble, a deep space telescope, has been able to observe such changes.

Hubble's near-infrared capabilities allow the telescope to observe high-altitude clouds on Neptune that are useful for tracking seasonal changes. In fact, Hubble images taken in the late 1990s showed that cloud bands on Neptune were getting wider and brighter were considered the first observational evidence that the planet undergoes a change of seasons.

In 2002, astronomers using Hubble noted that the abundance of high-altitude clouds increased the planet's brightness from observations made in the late 1990s. Astronomers consider this brightness increase a sign of seasonal change. Hubble studies show that Neptune has a nearly constant brightness at low latitudes (near the equator). This supports the idea that the observed changes are seasonal in nature, because seasonal effects would be minimal near the equator and most evident at high latitudes.

Passage 2

About the Hubble Space Telescope
by NASA and STScI (excerpt)

Orbiting 360 miles above Earth, the Hubble Space Telescope is positioned high above the blurring effects of the atmosphere. From this vantage point, it captures images with 10 times the typical clarity of any ground-based telescope and views not only visible light, but also wavelengths1 of near-infrared and ultraviolet light that cannot reach Earth's surface. To operate from orbit, the observatory works like any other scientific or imaging spacecraft; it converts the optical data it collects into electrical signals that are transmitted back to Earth. It must also withstand the airless, high-radiation, and harsh thermal environment of space.

Unlike most other spacecraft, however, Hubble was designed to be serviced periodically by astronauts and so was built with modular components that are astronaut-friendly to handle and replace. This design strategy has enabled it to operate longer than ordinary spacecraft and to benefit from the technological advancements of the last two decades. Astronauts have visited the telescope five times to upgrade its computers, mechanisms, and instruments. These servicing missions have kept the observatory at the forefront of discovery by providing it with increasingly sensitive and accurate components. The last of these servicing calls was in May 2009.

1. the distance between one light wave from any one point to the next point of corresponding phase

If we meet at 9:30, we (have) _________________plenty of time.

2
When a writer deviates from the expectation to set their scene in a location well-suited to the scene they are working on and instead sets the
scene in an unpredictable location, what literary technique are they most likely using?
A. disillusion
OB. juxtaposition
OC. twist
OD.worldbuilding
Reset
Next

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A.
reflection

B.
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____ in spanish means "lucha"​

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mindful : inconsiderate :: frugal :
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Someone plz help me :(